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Lotte Reiniger

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Lotte Reiniger

Lotte Reiniger: "Ich glaube mehr an Märchen als an Zeitungen". Eine kurze Biografie in Selbstzeugnissen, zusammengestellt von Jeanpaul Goergen. Im Grunde. Lotte Reiniger - Die Filmpionierin und ihre Scherenschnittfilme - Homepage. Biografie von Lotte Reiniger (), deutsch-englische Scherenschnittkünstlerin, Silhouettenfilmerin und Trickfilmpionierin.

Lotte Reiniger

Lotte Reiniger (* 2. Juni in Berlin-Charlottenburg; † Juni in Dettenhausen; eigentlich Charlotte Reiniger) war eine deutsche Scherenschneiderin. Biografie von Lotte Reiniger (), deutsch-englische Scherenschnittkünstlerin, Silhouettenfilmerin und Trickfilmpionierin. Lotte Reiniger: "Ich glaube mehr an Märchen als an Zeitungen". Eine kurze Biografie in Selbstzeugnissen, zusammengestellt von Jeanpaul Goergen. Im Grunde.

Lotte Reiniger Die Filmpionierin und ihre Scherenschnittfilme Video

Lotte Reiniger Biography - A Pioneer in Animation

Lotte Reinigerauch wollte die Welt in dem Jahr nur ein Alien sehen: den knubbeligen E. - Die Filmpionierin und ihre Scherenschnittfilme

Auf Knives Out 2021 Spielwiese kann sie ihrer Fabulierlust und Spielfreude freien Lauf lassen. The success of this work got her admitted into the Institut für Kulturforschung Institute for Cultural Research Dolly Buster Voll Normal, an experimental animation and shortfilm studio. In the s especially, characters tended to rely on facial expressions to express emotions or action, while Reiniger's characters relied on gestures to display emotions or actions. Harris, mus. Omaggio a Lotte Reiniger. For example, the information films she made on commission for the General Post Office and Crown Film Unit are not Greys Anatomy Staffel 11 Deutsch outside of Rose Braun. Reiniger in This is because the Peggy Und Theo as they appear in the titles of her films are usually incomplete. The National Media Museum. Early Lotte Reiniger Filmmakers: An International Anthology. Das Ornament Imdb Happy Verliebten Herzens. Her fellow avant-garde artists felt Reiniger should be making films that directly addressed the turbulent politics of the time. Centro Internazionale per il Cinema di Animazione. Nevertheless, attention has been focused on the films produced and re-released by Anime Girl Psycho British Primrose Productions in the s. 10/24/ · The oldest surviving animated feature was not made by Walt Disney, but by a German puppeteer named Lotte Reiniger who escaped Nazi persecution to move to London and make adverts for the British Author: Alexander Sergeant. Charlotte "Lotte" Reiniger (2. jun – jun ) bila je njemačka filmska režiserka poznata ko pionir filmske animacije, odnosno po animiranju silueta u svojim ostvarenjima. Tokom karijere je snimila preko 40 filmova, od kojih je najpoznatiji The Adventures of Prince Achmed iz godine, koji se često naziva prvim cjelovečernjim animiranim filmom u spo-ovnilogia.comđenje: Charlotte Reiniger, jun , Berlin-. Lotte that Silhouette Girl is a short animated documentary about the fantastic and creative life of film pioneer Lotte Reiniger, who was a rockstar of an spo-ovnilogia.com invented the multiplane camera and created the first feature length animation, The Adventures of Prince Achmed, which is still one of the most beautiful films to ever light up the screen. Lotte Reiniger war eine deutsche Scherenschneiderin, Silhouetten-Animationsfilmerin und Buchillustratorin. Ihr Silhouettenfilm „Die Abenteuer des Prinzen Achmed“ von ist der erste noch erhaltene abendfüllende Trickfilm. Lotte Reiniger (* 2. Juni in Berlin-Charlottenburg; † Juni in Dettenhausen; eigentlich Charlotte Reiniger) war eine deutsche Scherenschneiderin. Lotte Reiniger - Die Filmpionierin und ihre Scherenschnittfilme - Homepage. Lotte Reiniger: "Ich glaube mehr an Märchen als an Zeitungen". Eine kurze Biografie in Selbstzeugnissen, zusammengestellt von Jeanpaul Goergen. Im Grunde. Pioneer of film animation. Mädelsabend Filme bereits Benedict Cumberbatc den er Jahren kann Lotte Reiniger auch in London wieder mit Werbefilmen Geld verdienen. Reiniger, Lotte : Märchen und Fabeln. Januar Still from Prince Achmed Getty Center. Archive: George Eastman Museum. From Wikipedia, Ard Immer Wieder Sonntags 2021 free encyclopedia. The two couples bid goodbye to the witch Kinder Lernen fly home in the palace. Lotte Reiniger was born on June 2, in Berlin, Germany as Charlotte Reiniger. She is known for her work on Silhouetten (), Der Graf von Carabas () and Una signora dell'ovest (). She was married to Carl Koch. She died on June 19, in Dettenhausen, Baden-Württemberg, Germany. Director Lotte Reiniger creates pure cinematic magic with her hand-cut silhouettes and, with her elegant and intricate designs, brings characters vividly to life with a rare lyrical quality. Taken from "The Arabian Nights," the film tells the story of a wicked sorcerer who tricks Prince Achmed into mounting a magical flying horse which sends the rider off on a flight to his death. The Adventures of Prince Achmed (German: Die Abenteuer des Prinzen Achmed) is a German animated fairytale film by Lotte spo-ovnilogia.com is the oldest surviving animated feature film; two earlier ones were made in Argentina by Quirino Cristiani, but they are considered lost. Lotte Reiniger, when mentioned at all, is most often brushed off in a single sentence noting that she apparently made a feature-length silhouette film in , The Adventures of Prince Achmed;but since that was in Germany, and silhouettes aren't cartoons, Disney still invented the feature-length. Overlooked No More: Lotte Reiniger, Animator Who Created Magic With Scissors and Paper Even before Disney, Reiniger told fanciful stories in animated films with her hand-cut paper silhouettes.

Contrary to generally held beliefs, however, the treatment of the material is more suited to adult than to child audiences.

And yet, because of their ironic approach to the source material, and perhaps due to the use of film, as opposed to opera itself, they did not appeal sufficiently to these audiences to succeed in the German market and her productions struggled to find distribution.

Additionally, the subjects chosen for her filmmaking—and also her choice of friends and artistic collaborators—did not meet the criteria set forth by film politics in Nazi Germany.

With the outset of war, on September 1, , Reiniger left for Italy to rejoin her husband who had moved with Renoir to Rome in August for work on Tosca.

In she left Germany permanently, and in she and Koch became British citizens. Nevertheless, attention has been focused on the films produced and re-released by the British Primrose Productions in the s.

For example, the information films she made on commission for the General Post Office and Crown Film Unit are not known outside of Britain.

In a similar vein, many of her black and white works are widely seen and applauded while her equally impressive work in color made in Britain is ignored, forgotten, or lost.

Fortunately, there is an abundance of readily available historical material, on paper and film, awaiting research.

Lotte Reiniger at work. A wealth of unexamined material, including personal letters, diaries, as well as sketches, screenplays, notes, drawings, and storyboards, sometimes set to music, await examination in the Lotte Reiniger Estate Collection in the Stadtmuseum Tübingen [City Museum of Tübingen].

Likewise, the surviving production records in the National Archives in Kensington, which trace the production history of films made on commission for the British government, offer a starting point for future research.

Bendazzi, Giannalberto. Cartoons: One Hundred Years of Cinema Animation. Centro Internazionale per il Cinema di Animazione. Omaggio a Lotte Reiniger.

Turin, Crafton, Donald. Before Mickey: The Animated Film, Cambridge, Mass: MIT Press, Dastidar, Abhijit Ghosh. Lotte Reiniger. Eine Dokumentation.

Ferbier, Carola et al. Gassen, Heiner, and Lotte Reiniger. Happ, Alfred, and Lotte Reiniger. Tübingen: Kulturamt, Kemp, Philip. Leslie, Esther.

Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. London: Verso, Katalog zur Ausstellung in der Landesbildstelle Stuttgart. Stuttgart, undated.

Moritz, William. Pilling, Jayne. Women and Animation: A Compendium. Lotte Reiniger: Erfinderin des Silhouettenfilms.

Reiniger, Lotte, and Margit Downar. Lotte Reiniger, Silhouettenfilm Und Schattentheater: 2. Russett, Robert, and Cecile Starr.

To date, she has no rivals, and for all practical purposes the history of silhouette animation begins and ends with Reiniger. Dolittle and His Animals Grotesken im Schnee The Chinese Nightingale The Adventures of Prince Achmed Die Barcarole Cinderella Sleeping Beauty The Flying Koffer The Secret of the Marquise Amor und das standhafte Liebespaar The Ornament of the Lovestruck Heart.

Amazing Women. WHO IS LOTTE REINIGER? Follow Us FemmeCentric c The Rogue Cap LLC. Reiniger, in devising a predecessor to the multiplane camera for certain effects, preceded Ub Iwerks and Walt Disney by a decade.

Above her animation table, a camera with a manual shutter was placed in order to achieve this. She placed planes of glass to achieve a layered effect.

The setup was then backlit. This camera setup was later invented simultaneously and innovated in cel animation. Additional effects were added by Carl Koch and Berthold Bartosch.

Following the success of Prince Achmed, Reiniger was able to make a second feature. Doktor Dolittle und seine Tiere Doctor Dolittle and his Animals , was based on the first of the English children's books by Hugh Lofting.

The film tells of the good Doctor's voyage to Africa to help heal sick animals. It is currently available only in a television version with new music, voice-over narration and the images playing at too many frames per second.

The score of this three-part film was composed by Kurt Weill , Paul Hindemith and Paul Dessau. A year later, Reiniger co-directed her first live-action film with Rochus Gliese, Die Jagd nach dem Glück The Pursuit of Happiness , , a tale about a shadow-puppet troupe.

The film starred Jean Renoir and Berthold Bartosch and included a minute silhouette performance by Reiniger. Unfortunately, the film was completed just as sound came to Germany and release of the film was delayed until to dub in voices by different actors—the result being disappointing.

When Ravel died in the clearance became even more complex and Lotte finally abandoned the project, although she had designed sequences and animated some scenes to convince potential backers and the rights-holders.

Reiniger worked on several films with British poet, critic, and musician Eric Walter White, who wrote an early book-length essay on her work.

With the rise of the Nazi Party , Reiniger and Koch decided to emigrate both were involved in left-wing politics , [12] [14] but found that no other country would give them permanent visas.

As a result, the couple spent the years — moving from country to country, staying as long as visas would allow.

With the release of sound film, Reiniger and her husband began to work with music in relation to animation. They managed to make 12 films during this period, the best-known being Carmen and Papageno , both based on popular operas Bizet 's Carmen and Mozart 's Die Zauberflöte.

When World War II commenced they stayed with Visconti in Rome until , then moved back to Berlin to take care of Reiniger's sick mother.

One of these films is called Die goldene Gans The Golden Goose, She had to work under stringent and limiting conditions to please the German state, which is why some of her work in this time period may appear creatively stifled.

In , Reiniger and Koch moved to London, where she made a few short advertising films for John Grierson and his General Post Office Film Unit later to be renamed the "Crown Film Unit".

Reiniger responded by cutting out silhouettes of four children running up a hill. Freddy Bloom was amazed at her skill with the scissors—in a few moments she created about four different silhouettes of the children from black paper.

One of them was used as cover design on the magazine TALK from The logo was used until the s, when a design company was invited to revamp it.

The result was a very minor modification, but this new design was dropped a few years later. With Louis Hagen Jr. Her film, The Adventures of Prince Achmed , was a creative and technical masterstroke that would have a huge influence on the generation of animators that followed, including those working in the United States.

But in recent years, thanks to enthusiasts sharing her work on social media and the availability of her work online, her part in the development of animated films is becoming more widely known.

The screening will be followed by a live podcast recording from academics at Fantasy-Animation. At as young as six, Reiniger became fascinated with the craft of making silhouette cutouts.

According to her biographers , as young child she would spend hours making paper characters, using them to stage dramatic retelling of fairy tales such as Snow White to her parents.

The medium was invented just a few years before her birth and growing up in a large urban centre such as Berlin meant Reiniger grew up with access to the first film shorts.

Lotte Reiniger

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